{"id":2187,"date":"2014-05-26T08:00:21","date_gmt":"2014-05-26T06:00:21","guid":{"rendered":"http:\/\/www.henle.de\/blog\/en\/?p=2187"},"modified":"2015-05-29T12:19:05","modified_gmt":"2015-05-29T10:19:05","slug":"clarinet-%e2%80%93-oboe-%e2%80%93-horn-new-chamber-music-by-carl-nielsen-on-the-henle-agenda","status":"publish","type":"post","link":"https:\/\/blog.henle.de\/en\/2014\/05\/26\/clarinet-%e2%80%93-oboe-%e2%80%93-horn-new-chamber-music-by-carl-nielsen-on-the-henle-agenda\/","title":{"rendered":"Clarinet \u2013 Oboe \u2013 Horn. New chamber music by Carl Nielsen on the Henle agenda"},"content":{"rendered":"

\"\"<\/a>Carl Nielsen (1865\u20131931) is probably best known as a prominent com\u00adpo\u00adser of symphonies. His very serious works, full of doubts of both the world and himself, also finally suggested his nickname \u2018the Danish [Ri\u00adchard] Strauss\u2019. Henle publishers have set out to show the somewhat dif\u00adfer\u00adent chamber-music side of this composer and are publishing short\u00adly three wind pieces from his early-to-middle creative period.<\/p>\n

We want now first of all to introduce Nielsen the chamber musician as he introduced him\u00adself in 1883 to Niels W. Gade (1817\u20131890), then director of the Copenhagen Con\u00adser\u00adva\u00adto\u00adry: with the early string quartet in d minor<\/em> composed expressly for this occasion and e\u00admerg\u00ading seemingly directly from Viennese classicism:<\/p>\n