{"id":2317,"date":"2014-07-21T08:00:16","date_gmt":"2014-07-21T06:00:16","guid":{"rendered":"http:\/\/www.henle.de\/blog\/en\/?p=2317"},"modified":"2015-05-29T12:01:10","modified_gmt":"2015-05-29T10:01:10","slug":"franz-xaver-comes-to-henle-on-the-170th-anniversary-of-the-death-of-franz-xaver-wolfgang-mozart-29-july-2014","status":"publish","type":"post","link":"https:\/\/blog.henle.de\/en\/2014\/07\/21\/franz-xaver-comes-to-henle-on-the-170th-anniversary-of-the-death-of-franz-xaver-wolfgang-mozart-29-july-2014\/","title":{"rendered":"Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)"},"content":{"rendered":"<div id=\"attachment_2320\" style=\"width: 159px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/Franz_Xaver_Mozart_Wolfgang_Jr_1825.jpg\"><img aria-describedby=\"caption-attachment-2320\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2320\" src=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/Franz_Xaver_Mozart_Wolfgang_Jr_1825.jpg\" alt=\"Franz Xaver Wolfgang Mozart, 1825 (Source: Wikimedia.org, Licence: PD)\" width=\"149\" height=\"173\" \/><\/a><p id=\"caption-attachment-2320\" class=\"wp-caption-text\">Franz Xaver Wolfgang Mozart, 1825 (Source: Wikimedia.org, Licence: PD)<\/p><\/div>\n<p>That Henle is a Mozart publisher should not come as news. Since 2011, however, we are doubly so. Our catalogue offers not only Wolfgang Amadeus Mo\u00adzart\u2019s great works for piano and chamber music as well as solo concertos, but since 2011, also Urtext editions of works by Franz Xaver Wolfgang Mo\u00adzart, youngest son of the celebrated WAM.<\/p>\n<p>Franz Xaver Wolfgang Mozart (1791\u20131844) was only four months old when his father died. High hopes were had of the offspring and everything was done to enable the progeny to follow in his father\u2019s footsteps. He received an excellent mu\u00adsi\u00adcal education and soon enough already called himself simply  \u201cW. A. Mozart\u2019s son\u201d \u2013 a wrong decision, because it is hardly surprising that this legacy became more of a burden than an opportunity.<!--more--><\/p>\n<p><a href=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/HN.gif\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-2327\" src=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/HN.gif\" alt=\"\" width=\"203\" height=\"288\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/HN.gif 271w, https:\/\/blog.henle.de\/en\/files\/2014\/07\/HN-211x300.gif 211w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/><\/a>Today, we try to avoid the fatal historical error of meas\u00aduring the son\u2019s accomplishments by his father\u2019s work.\u00a0 Henle in this regard was also taking a chance on a come\u00adback when first publishing in 2011\/2012 all Franz Xaver Mozart\u2019s piano works in two volumes (<a href=\"http:\/\/www.henle.de\/en\/detail\/index.html?Title=S%C3%A4mtliche+Klavierwerke%2C+Band+I_958\" target=\"blank\">HN 958<\/a> and <a href=\"http:\/\/www.henle.de\/en\/detail\/index.html?Title=S%C3%A4mtliche+Klavierwerke%2C+Band+II_959\" target=\"blank\">959<\/a>). We have set standards here and made possible a com\u00adpre\u00adhen\u00adsive and impartial evaluation of this music. The two volumes were edited by Karsten Nottelmann, who, with his catalogue of the works of Franz Xaver Wolfgang Mozart (in: <a href=\"http:\/\/books.google.de\/books\/about\/W_A_Mozart_Sohn.html?id=VNqykgEACAAJ&amp;redir_esc=y\" target=\"blank\"><em>W. A. Mozart Sohn. Der Musiker und das Er\u00adbe des Vaters<\/em>, Kassel, etc., 2009<\/a>), first put scholarly engagement with this composer on a firm basis (Not\u00adtel\u00admann maintains, in addition, a separate website on the topic <a href=\"http:\/\/www.mozart-sohn.de\/\" target=\"blank\">\u201cMozart, Son\u201d<\/a>). With the <em>e-minor flute rondo<\/em>, Karsten Nottelmann published a third Henle Urtext edition in 2013 (<a href=\"http:\/\/www.henle.de\/en\/detail\/index.html?Title=Rondo+e-moll+f%C3%BCr+Fl%C3%B6te+und+Klavier_1180\" target=\"blank\">HN 1180<\/a>), so that now all of this Mozart\u2019s important works are to be found in our catalogue.<\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/3JGnUIuBY3w?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>In the two Henle volumes Franz Xaver Mozart\u2019s piano works are organised by genre and thereafter, chronologically. This makes possible an optimal survey of his extensive work. To be discovered is the familiar (such as the charming <em>\u201cPolonaises m\u00e9lancoliques\u201d<\/em> in vol\u00adume II), the curious (<em>piano variations for three hands<\/em> in volume I) and the ambitious. Who, for example, would know that Franz Xaver Mozart was amongst those composers to whom Anton Diabelli sent a waltz in 1819 with the request to contribute a variation? Mo\u00adzart\u2019s <em>\u201cDiabelli variation\u201d<\/em> is dashing, as this <a href=\"https:\/\/play.spotify.com\/track\/2n9rrVo6mwNlzZAz7Hpi20?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\" target=\"blank\">recording by Andreas Staier<\/a> impressively doc\u00adu\u00adments. Mozart, though, didn\u2019t stop at just one variation. Of course, unlike Beethoven, he did not muster <em>\u201c33 variations\u201d<\/em>, but did add to it a second variation that Diabelli left un\u00adpub\u00adlished \u2013 it is now to be found at Henle!<\/p>\n<p>Son Mozart \u2013 surprise, surprise! \u2013 also dealt intensively with his father\u2019s works. An ap\u00adpeal\u00ading product of this involvement is the set of variations on the famous <a href=\"https:\/\/play.spotify.com\/track\/5zUvrU3mKgNRhLCLFBBuhP?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\" target=\"blank\"><em>Don Giovanni minuet<\/em><\/a>. In concerts, furthermore, he seems to have regularly played his father\u2019s piano con\u00adcer\u00adtos. The extant cadenzas that Franz Xaver tailor-made for them are located in the 2<sup>nd<\/sup> volume of our edition and offer a unique insight into the son\u2019s improvisatory in\u00adter\u00adac\u00adtion with his father\u2019s material. These and similar discoveries can be made in our complete edition, amongst them several first editions of works that have up to now never been in print!<\/p>\n<div id=\"attachment_2338\" style=\"width: 606px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/ngcs.staatsbibliothek-berlin.de_.jpg\"><img aria-describedby=\"caption-attachment-2338\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2338\" src=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/ngcs.staatsbibliothek-berlin.de_.jpg\" alt=\"Franz Xaver Wolfgang Mozart, Variations on the \u201eMarche golcondaise\u201d from \u201eAline, Reine de Golconde\u201d op. 3, title page of the first edition, Vienna 1805 (Source: Staatsbibliothek zu Berlin - Preu\u00dfischer Kulturbesitz, http:\/\/ngcs.staatsbibliothek-berlin.de\/?action=metsImage&amp;format=jpg&amp;metsFile=PPN766757579&amp;divID=PHYS_0001&amp;width=795&amp;rotate=0)\" width=\"596\" height=\"440\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/ngcs.staatsbibliothek-berlin.de_.jpg 795w, https:\/\/blog.henle.de\/en\/files\/2014\/07\/ngcs.staatsbibliothek-berlin.de_-300x221.jpg 300w\" sizes=\"(max-width: 596px) 100vw, 596px\" \/><\/a><p id=\"caption-attachment-2338\" class=\"wp-caption-text\">Franz Xaver Wolfgang Mozart, Variations on the \u201eMarche golcondaise\u201d from \u201eAline, Reine de Golconde\u201d op. 3, title page of the first edition, Vienna 1805 (Source: Staatsbibliothek zu Berlin - Preu\u00dfischer Kulturbesitz, http:\/\/ngcs.staatsbibliothek-berlin.de\/?action=metsImage&amp;format=jpg&amp;metsFile=PPN766757579&amp;divID=PHYS_0001&amp;width=795&amp;rotate=0)<\/p><\/div>\n<p>The so-called <em>e-minor flute rondo<\/em> \u2013 in truth, the 1<sup>st<\/sup> movement of a never-completed sonata for flute and piano \u2013 belongs to the core repertoire of all flutists and attractively rounds out the picture the Henle publishers presents of Franz Xaver Wolfgang Mozart, the musician.<\/p>\n<p>Our editions are based on <a href=\"http:\/\/resolver.staatsbibliothek-berlin.de\/SBB0000F10600000000\" target=\"blank\">first editions<\/a> as well as also on extant autographs in relatively great numbers. The <a href=\"http:\/\/www.mozarteum.at\/en\/research\/library-collections\/rare-book-collection\/fxm-en.html\" target=\"blank\">sources<\/a> in the holdings at the Mozarteum Salzburg can be ex\u00adem\u00adpla\u00adri\u00adly examined on its website. Found there, in addition, is the digitilisation, complete with trans\u00adcrip\u00adtion, of the entries in one of the <a href=\"http:\/\/dme.mozarteum.at\/DME\/briefe\/doclist.php?cat=6&amp;l=2\" target=\"blank\">composer\u2019s family albums<\/a> \u2013 an offer inviting us to rummage.<\/p>\n<div id=\"attachment_2351\" style=\"width: 957px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/FXM_Stammbuch_p228.jpg\"><img aria-describedby=\"caption-attachment-2351\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2351\" src=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/FXM_Stammbuch_p228.jpg\" alt=\"Constanze Mozart's entry in the family album, 20 Juno 1801 (Source: Mozarteum Salzburg, http:\/\/dme.mozarteum.at\/DME\/briefe\/letter.php?mid=3191&amp;cat=6)\" width=\"947\" height=\"579\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2014\/07\/FXM_Stammbuch_p228.jpg 947w, https:\/\/blog.henle.de\/en\/files\/2014\/07\/FXM_Stammbuch_p228-300x183.jpg 300w\" sizes=\"(max-width: 947px) 100vw, 947px\" \/><\/a><p id=\"caption-attachment-2351\" class=\"wp-caption-text\">Constanze Mozart&#039;s entry in the family album, 20 June 1801 (Source: Mozarteum Salzburg, http:\/\/dme.mozarteum.at\/DME\/briefe\/letter.php?mid=3191&amp;cat=6)<\/p><\/div>\n<p>On the occasion of the 170<sup>th<\/sup> anniversary of Franz Xaver Wolfgang Mozart\u2019s death, 29 July 2014, the WDR [West German Broadcasting Corporation] broadcasted a <a href=\"http:\/\/www.wdr5.de\/sendungen\/zeitzeichen\/mozart130_tag-29072014.html\" target=\"blank\">\u201ctime signal\u201d (in German language)<\/a>, assisted by our editor Karsten Nottelmann:<\/p>\n<p>[wpaudio url=&#8221;https:\/\/blog.henle.de\/audio\/wdr5zeitzeichen_2014-07-29_09-05_FXMozart.mp3&#8243; text=&#8221;<em>WDR 5 ZeitZeichen<\/em>, 29. July 2014: <em>1844 &#8211; Todestag des Komponisten F. X. W. Mozart<\/em> from Claudia Belemann&#8221; dl=&#8221;0&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>That Henle is a Mozart publisher should not come as &hellip; <a href=\"https:\/\/blog.henle.de\/en\/2014\/07\/21\/franz-xaver-comes-to-henle-on-the-170th-anniversary-of-the-death-of-franz-xaver-wolfgang-mozart-29-july-2014\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[387,86,312,388,317,3,305,384,322,349],"tags":[227,215,216,217,218,219,220,221,222,223,224,28,225,226,97,228],"_links":{"self":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/2317"}],"collection":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/comments?post=2317"}],"version-history":[{"count":0,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/2317\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/media?parent=2317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/categories?post=2317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/tags?post=2317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}