{"id":7252,"date":"2023-09-11T08:00:34","date_gmt":"2023-09-11T06:00:34","guid":{"rendered":"https:\/\/www.henle.de\/blog\/en\/?p=7252"},"modified":"2023-09-08T12:36:42","modified_gmt":"2023-09-08T10:36:42","slug":"gabriellas-sang-gabriellas-song-by-brahms","status":"publish","type":"post","link":"https:\/\/blog.henle.de\/en\/2023\/09\/11\/gabriellas-sang-gabriellas-song-by-brahms\/","title":{"rendered":"\u201cGabriellas s\u00e5ng\u201d by Brahms?"},"content":{"rendered":"<div id=\"attachment_7256\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/A-812542-1350945966-5891.jpg\" target=\"_blank\" rel=\"noopener\"><img aria-describedby=\"caption-attachment-7256\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-7256 size-medium\" src=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/A-812542-1350945966-5891-300x213.jpg\" alt=\"\" width=\"300\" height=\"213\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/A-812542-1350945966-5891-300x213.jpg 300w, https:\/\/blog.henle.de\/en\/files\/2023\/09\/A-812542-1350945966-5891.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-7256\" class=\"wp-caption-text\">For Stefan Nilsson (died 25 May 2023)<\/p><\/div>\n<p>Whilst preparing for a lecture on the Johannes Brahms piano trios, given on 28 January 2023 in Schloss Elmau (<a href=\"https:\/\/www.youtube.com\/watch?v=_w7lyAj18Tk\" target=\"_blank\" rel=\"noopener\">here<\/a> is the complete recording), I also dealt for the first time more intensively with the A-major piano trio sometimes attributed to Johannes Brahms. As the trio is unquestionably a musically impressive piece of music, it is astonishing that its gifted composer has remained unknown to this day. The <a href=\"https:\/\/trio-e-t-a.com\/en\/home-2\/\" target=\"_blank\" rel=\"noopener\">Trio E.T.A.<\/a>, having kindly played several live music examples during my lecture in Elmau, is firmly convinced that for stylistic reasons this four-movement piano trio can only be a work by the young Brahms. Therefore, towards the end of my lecture, we improvised a friendly debate about this \u201cwork without author\u201d, from which the <em>Trio E.T.A<\/em>. also played some of its excerpts (see video from: 1:03:35 ff.).<!--more--><\/p>\n<p>Now, dear readers, you will begin to wonder what this might have to do with the title of today&#8217;s, admittedly somewhat slight, summer blog post. Last summer I told you how an unfamiliar duet by Joseph Haydn played on the radio reminded me of another <a href=\"https:\/\/blog.henle.de\/en\/2022\/06\/20\/an-unknown-haydn-quote-by-brahms\/\" target=\"_blank\" rel=\"noopener\">music piece <\/a>\u00a0I knew very well, but couldn\u2019t immediately identify. This is exactly what happened to me at the start of 2023 with the, yes, beautiful opening of the <a href=\"https:\/\/www.google.com\/search?client=firefox-b-d&amp;q=brahms+a+major+trio\" target=\"_blank\" rel=\"noopener\">inauspicious A-major Trio<\/a> \u201cby Brahms\u201d. I had heard this music before, but as something else. Yet from where? Agonising weeks began. Numerous music friends were contacted and maltreated: \u201cDon&#8217;t you recognise this melody? Where does it come from?\u201d No answer.<\/p>\n<p>Shortly afterwards, on the occasion of a very sad private event, the melody unexpectedly \u201cpopped into my head\u201d. Written by the Swedish film composer Stefan Nilsson, it is called \u201cGabriellas s\u00e5ng\u201d. This song is the musical centre of the film \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/As_It_Is_in_Heaven\" target=\"_blank\" rel=\"noopener\">As It Is in Heaven<\/a>&#8221; by Kay Pollak (original: \u201cS\u00e5 som i Himmelen\u201d), which, though a bit sentimental, is really worth seeing. It is ultimately about the soul-healing power of music. I had accompanied my daughter&#8217;s singing of this very song once on the occasion of a christening. So that\u2019s how I \u201cknew\u201d it. As at the opening of the A-major trio, the film music comes from the depths and then soars movingly over a throbbing ostinato bass:<\/p>\n<p><iframe loading=\"lazy\" title=\"Helen Sj\u00f6holm - Gabriellas s\u00e5ng\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7ZwZQKZNdTA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>(<a href=\"https:\/\/www.youtube.com\/watch?v=u2Vr1ODCUag\" target=\"_blank\" rel=\"noopener\">Here<\/a> the original film excerpt.)<\/p>\n<p>The melody and diction of the film song is so strikingly similar to the direct opening of the A-major trio \u201cby Brahms\u201d that for me there can be little doubt that at least unconsciously Stefan Nilsson had the beginning of the trio in mind when composing.<\/p>\n<p><a href=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/Sa-som-i-Himmelen-716x1023-1.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-7259\" src=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/Sa-som-i-Himmelen-716x1023-1-210x300.jpg\" alt=\"\" width=\"252\" height=\"360\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2023\/09\/Sa-som-i-Himmelen-716x1023-1-210x300.jpg 210w, https:\/\/blog.henle.de\/en\/files\/2023\/09\/Sa-som-i-Himmelen-716x1023-1.jpg 716w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/><\/a><\/p>\n<p>Do you agree? The model for \u201cGabriellas s\u00e5ng\u201d is, of course, by Brahms only if he actually did compose the Piano Trio in A major. In keeping with current Brahms research, I consider this almost impossible, also for musical reasons, though the last word on this matter will, admittedly, only be said when the true composer has been found. The volume on the Brahms piano trios within the framework of the historico-critical Complete Edition (Series II, Volume 6) is currently in preparation in Kiel. I hear from there that the A-major Trio will <em>not <\/em>be included within it \u2013 as justifiably detailed. Why not listen to the whole trio in peace and without reservations? From a purely philological point of view, the problem of its composer cannot be solved owing to the extremely meagre source material. What do you think: Could for stylistic reasons the young Brahms not perhaps actually be the author?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whilst preparing for a lecture on the Johannes Brahms piano &hellip; <a href=\"https:\/\/blog.henle.de\/en\/2023\/09\/11\/gabriellas-sang-gabriellas-song-by-brahms\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[289,727,3],"tags":[63,799],"_links":{"self":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/7252"}],"collection":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/comments?post=7252"}],"version-history":[{"count":8,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/7252\/revisions"}],"predecessor-version":[{"id":7264,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/7252\/revisions\/7264"}],"wp:attachment":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/media?parent=7252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/categories?post=7252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/tags?post=7252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}