{"id":846,"date":"2013-04-01T07:00:02","date_gmt":"2013-04-01T05:00:02","guid":{"rendered":"http:\/\/www.henle.de\/blog\/en\/?p=846"},"modified":"2022-07-20T17:39:03","modified_gmt":"2022-07-20T15:39:03","slug":"spring-cleaning-%e2%80%93-new-setup-guidelines-at-the-henle-house","status":"publish","type":"post","link":"https:\/\/blog.henle.de\/en\/2013\/04\/01\/spring-cleaning-%e2%80%93-new-setup-guidelines-at-the-henle-house\/","title":{"rendered":"Spring Cleaning \u2013 new setup guidelines at the Henle house"},"content":{"rendered":"<p>You ought to underline today\u2019s date in the calendar in red: this is the day that the G. Henle publishing house is introducing new and trailblazing guidelines for the setup of selected titles in the chamber-music repertoire. In the future, enclosed alongside both single parts contained up to now \u2013 provided in the Urtext together with fingerings and bowings \u2013 will be a third part, the so-called <em>cleaned-up<\/em> part. <!--more--><\/p>\n<p>The publishing house is hence following an ever more frequently expressed wish from the music practice side to cater in the case of the complex music-note image for greater optical clarity within the music of late romantic and early modern composers. \u2018You cannot imagine how many desperate letters and emails we get on this subject\u2019, explains Dr Wolf-Dieter Seiffert, Managing Director of the G. Henle Verlag. \u2018It was high time for a new start.\u2019<\/p>\n<p>So, together with the Swiss graphic artist Uli Russwehr, an innovative setup was developed, throwing the old typographical ballast overboard and setting new standards for printing music in the 21<sup>st<\/sup> century. A look at a sample page of our first cleaned-up edition \u2013 Max Reger\u2019s Violin Sonata op. 107 \u2013 may be enough to win you over to the outstandingly successful implementation:<\/p>\n<p><a href=\"https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6831\" src=\"https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl.jpg\" alt=\"\" width=\"1776\" height=\"1172\" srcset=\"https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl.jpg 1776w, https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl-300x198.jpg 300w, https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl-1024x676.jpg 1024w, https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl-768x507.jpg 768w, https:\/\/blog.henle.de\/en\/files\/2013\/04\/Reger_engl-1536x1014.jpg 1536w\" sizes=\"(max-width: 1776px) 100vw, 1776px\" \/><\/a><br \/>\n<span style=\"font-size: smaller\">(click on image to enlarge)<\/span><\/p>\n<p>First feedback from music circles shows an enthusiastic acceptance of the new, cleaned-up part. Thus, the American violin virtuoso Al Priprail promptly twittered: \u2018Wonderful idea! Now at first glance I can calmly read all the signs and while playing concentrate totally on the notes.\u2019 Other musicians praised the aesthetic placement of beaming or the meditative impact of 50 lines of music notes on top of each other, exploiting new spiritual dimensions of the beer-heavy portliness of Reger\u2019s music.<\/p>\n<p>Well, a courageous step by the publishing house, sure to encounter lots of feedback. Seiffert, however, is already peering into the future: \u2018The facsimile editions are the next step in line. Or, are you able to tell in a Beethoven autograph an accidental from an inkblot? Here there\u2019s still lots to clean up.\u2019 So, don\u2019t you wonder when in the near future you\u2019ll find in our catalogue next to the <em>Diabelli Variations<\/em> also the <em>DVaaabeiiiillnorst<\/em>&#8230;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You ought to underline today\u2019s date in the calendar in &hellip; <a href=\"https:\/\/blog.henle.de\/en\/2013\/04\/01\/spring-cleaning-%e2%80%93-new-setup-guidelines-at-the-henle-house\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[317,3,24,296,681],"tags":[645,85,114],"_links":{"self":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/846"}],"collection":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/comments?post=846"}],"version-history":[{"count":2,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/846\/revisions"}],"predecessor-version":[{"id":6835,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/posts\/846\/revisions\/6835"}],"wp:attachment":[{"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/media?parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/categories?post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.henle.de\/en\/wp-json\/wp\/v2\/tags?post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}