Author Archives: Annette Oppermann

A tear for or from Rossini?

Posted on November 12, 2018 by Annette Oppermann

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading →

Posted in autograph, Instrumentation, Monday Postings, piano + double bass, Rossini, Gioacchino, Tobias Glöckler, Une larme (Rossini) | Tagged , , | Leave a comment

More or less – Bartók’s well-regulated markings of his piano works

Posted on July 2, 2018 by Annette Oppermann

To continue my last blog with an overview of our … Continue reading →

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | 1 Comment

What?! Is it already Christmas now? New Bartók titles at Henle

Posted on April 9, 2018 by Annette Oppermann

Of course not, Christmas is out of the question only … Continue reading →

Posted in Bartók, Béla, Monday Postings, versions | Tagged , | Leave a comment

The many footnotes of Rosamunde

Posted on November 27, 2017 by Annette Oppermann

All good things come in threes – this is also … Continue reading →

Posted in dynamics, first edition, Monday Postings, Rosamunde quartet D 804 (Schubert), Schubert, Franz, string quartet | Tagged , , | Leave a comment

‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions

Posted on September 4, 2017 by Annette Oppermann

Are you also one of those manuscript hunters on the … Continue reading →

Posted in articulation, autograph, Brahms, Johannes, Monday Postings, Urtext, violin + orchestra, Violin Concerto (Brahms) | Tagged , , , | 4 Comments

Small error, large impact! About a repeat sign wandering around “In the Mists”

Posted on May 22, 2017 by Annette Oppermann

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading →

Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext | Tagged , , | 2 Comments

A new star in the Henle firmament – Béla Bartók Complete Critical Edition

Posted on January 30, 2017 by Annette Oppermann

After nearly three decades the time was ripe for a … Continue reading →

Posted in Bartók, Béla, Monday Postings, notation, piano solo, transcription | Tagged , | 1 Comment

Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

Posted on October 17, 2016 by Annette Oppermann

To the question of how many cello concertos Joseph Haydn … Continue reading →

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | 7 Comments

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

Posted on June 27, 2016 by Annette Oppermann

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading →

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

A peek through the keyhole – Bartók’s “Allegro barbaro” as forerunner of the complete edition

Posted on April 18, 2016 by Annette Oppermann

With Béla Bartók, we have added a new composer to … Continue reading →

Posted in Allegro barbaro BB 63 (Bartók), autograph, Bartók, Béla, Composers, Monday Postings, piano solo, variant reading | Tagged | Leave a comment