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- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
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Category Archives: Monday Postings
The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Posted in arrangement, articulation, autograph, dynamics, first edition, Monday Postings, Mozart, Wolfgang Amadeus, Urtext, variant reading, violin + orchestra
Tagged arrangement, articulation, autograph, dynamics, first edition, Mozart, Oistrakh, urtext, variant reading, Violin Concerto
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Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
For me, this Arnold Schönberg quotation expresses the composer’s attitude … Continue reading
Posted in Monday Postings, notation, piano solo, Schoenberg, Arnold, Urtext
Tagged personal copy, piano solo, Schönberg, urtext
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If we hadn’t had the chance… the rediscovery of a new Prokofiev source
Fans of so-called ‘true crime’ formats, reporting, that is, about … Continue reading
Posted in engraver’s copy, Monday Postings, new source, piano + violin, Prokofiev, Sergei
Tagged arrangement, engraver's copy, version
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Summer break
Summer is here and our composers need a short break! … Continue reading
Once again, a tight squeeze – the joy and sorrow of the Urtext cover
If you quickly want to describe a Henle edition, one … Continue reading
Posted in G. Henle Publishers, Monday Postings, Urtext
Tagged Cover, G. Henle Publishers history, Layout
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Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
On Mozart’s ‘second naïveté’ (Alfred Einstein)
I can’t recall when I first read Alfred Einstein’s Mozart … Continue reading
Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
Arnold Schönberg’s 150th birthday is duly being celebrated by Henle: … Continue reading
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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