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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Tag Archives: Schubert
‘Every year again’ as a new chance
Not annually like the Christ Child, but every few years … Continue reading
Posted in Monday Postings, Schubert, Franz, string quintett, variant reading
Tagged Schubert, string quintett, variant reading
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Schubert on a Bach trip? A call for help regarding the Arpeggione theme
The Henle blogging community will, we hope, not be disappointed … Continue reading
“At the Piano” – lends colour to the Henle catalogue!
Even the visual design is a little revolution for Henle: … Continue reading
Posted in Monday Postings
Tagged At the Piano, Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Haydn, Liszt, Mendelssohn, Mozart, piano, Schubert, Schumann
4 Comments
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
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Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert
Schubert did not live to see the publication of his … Continue reading
Gratis, but not for nothing – the download of the Lalo cello concerto
Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading
Setting, version, arrangement – how far may Urtext go?
It is part and parcel of the idea of a … Continue reading
Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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