Search
Subscribe2
-
Recent Posts
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
- Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Tags
accidentals App arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré first edition Haydn Hoffmeister horn instrumentation interview Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet Telemann urtext variants variations versions viola Violin Sonata
Category Archives: Schumann, Robert
‘Free, but lonely’ – an extraordinary sonata and its new edition
Our new Urtext edition HN 1572 introduced in today’s blog … Continue reading
Schumann’s metronome markings in his “Kinderszenen”. Opportunity, not nuisance.
“You cannot define tempo. Tempo has no existence of its … Continue reading
Posted in Monday Postings, piano solo, Schumann, Robert, tempo
Tagged Kinderszenen op. 15
3 Comments
Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73
We report as a rule in our blog posts on … Continue reading
Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25
Considering that specifically for 19th-century works the first edition is … Continue reading
Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann
A little birthday gift for András Schiff (December 2016) Coloured … Continue reading
Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert
Tagged Bunte Blätter, harmonics, Schumann
Leave a comment
Urtext and Urcontext
In our blog we have certainly already discussed the Urtext … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext
Tagged Fauré, Justinus Kerner, Schumann, songs, urtext
1 Comment
Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet
Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading
“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86
For pianists and string players, especially, the name Henle stands … Continue reading
Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2
Sometimes a conundrum can’t be solved, even when the source … Continue reading
“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?
Many piano students are not going to believe their eyes … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander
Tagged pedal, soft pedal, sordino, una corda, Verschiebung
3 Comments