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- ‘Free, but lonely’ – an extraordinary sonata and its new edition
- A difficult case: Chopin’s b-minor sonata op. 58 in Urtext
- “Gabriellas sång” by Brahms?
- Rachmaninoff’s Paganini Rhapsody and the treasures in the Library of Congress
- No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
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Tag Archives: Fauré
Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109
There is always a risk in producing an engraved plate … Continue reading
Urtext and Urcontext
In our blog we have certainly already discussed the Urtext … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext
Tagged Fauré, Justinus Kerner, Schumann, songs, urtext
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A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13
Autograph manuscripts of musical works have an aura all their … Continue reading
Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré)
Tagged autograph, Fauré, Violin Sonata
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Setting, version, arrangement – how far may Urtext go?
It is part and parcel of the idea of a … Continue reading
The crux of sharp or flat: Just enough cautionary accidentals? or are extras o.k., too?
Our editorial department is always receiving queries from users requesting … Continue reading
How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?
Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading
Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin
Tagged Berceuse, Fauré, harmonics, notation, variants
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