Author Archives: Norbert Müllemann

Scriabin plays Scriabin – Is the finale of the 3rd piano sonata too difficult?

Posted on September 17, 2012 by Norbert Müllemann

Alexander Scriabin (1872–1915) was not only one of the outstanding … Continue reading →

Posted in Monday Postings, piano solo, Piano Sonata Nr. 3 op. 23 (Scriabin), Scriabin, Alexander | Tagged , , | 8 Comments

‘Fontana’s version’ – genuine Chopin?

Posted on July 9, 2012 by Norbert Müllemann

A glance at the table of contents in our Urtext … Continue reading →

Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin) | Tagged , , | 9 Comments

On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I

Posted on April 16, 2012 by Norbert Müllemann

Those in the know among our readers will be aware … Continue reading →

Posted in autograph, Bach, Johann Sebastian, copy, Monday Postings, piano solo, Urtext, Well-Tempered Clavier (J.S. Bach) | Tagged , , , | 23 Comments

“La dernière pensée musicale de Chopin” – a Sham?

Posted on January 23, 2012 by Norbert Müllemann

Mystery swirls around Chopin’s Mazurka in f minor, op. post. … Continue reading →

Posted in Chopin, Frédéric, Mazurka op. post. 68 nr. 4 (Chopin), Monday Postings, piano solo, sketches, versions | Tagged , , , , , | 2 Comments

How does Chopin’s Second Ballade end?

Posted on November 30, 2011 by Norbert Müllemann

Many pianists are familiar with the problem that there are … Continue reading →

Posted in autograph, Ballades (Chopin), Chopin, Frédéric, first edition, Monday Postings, piano solo, versions | Tagged , , | Leave a comment