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- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
- Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
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Category Archives: Scriabin, Alexander
Alexander Scriabin (1872-1915) on his 150th birthday, part II
As announced in my last blog post, the collected volume … Continue reading
Alexander Scriabin (1872–1915) on his 150th birthday, part I
I admit that while typing the heading of this blog … Continue reading
Posted in Monday Postings, Scriabin, Alexander
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Ten at a stroke – Scriabin’s piano sonatas in one volume
Many a Henle fan familiar with our catalog will know … Continue reading
The melancholy horn – a short excursion into the monumental realm of Russian music
The repertoire of the G. Henle publishing house is traditionally … Continue reading
Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext
Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola
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“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?
Many piano students are not going to believe their eyes … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander
Tagged pedal, soft pedal, sordino, una corda, Verschiebung
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Scriabin plays Scriabin – Is the finale of the 3rd piano sonata too difficult?
Alexander Scriabin (1872–1915) was not only one of the outstanding … Continue reading