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- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Elgar, Edward
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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An Urtext edition of Elgar’s Violin Chansons: What does an editor do when there is nothing to edit?
The question posed in the title of my blog post … Continue reading
Posted in dynamics, Elgar, Edward, first edition, Monday Postings, piano + violin
Tagged Chanson de matin, Chanson de nuit
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From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata
Many Urtext editions and their sources cross the desk of … Continue reading
Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar)
Tagged Elgar, Violin Sonata
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Attention to small details: Elgar’s notation as expression
Preparing a new edition of a work that has been … Continue reading