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- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Category Archives: Sources
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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A difficult case: Chopin’s b-minor sonata op. 58 in Urtext
Frédéric Chopin’s final piano sonata op. 58 is full of … Continue reading
Posted in Chopin, Frédéric, first edition, Monday Postings, piano solo, versions
Tagged Chopin, piano sonata, versions
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“Gabriellas sång” by Brahms?
Whilst preparing for a lecture on the Johannes Brahms piano … Continue reading
Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
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Labyrinthine paths: in search of Janáček’s Urtext
No, the title is not a typo. The recently published … Continue reading
Posted in autograph, Janácek, Leos, Monday Postings, piano solo, proof copy, revision
Tagged Janáček, On an Overgrown Path, revision
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If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading