Category Archives: Schubert, Franz

Schubert deletes, Brahms restores. On the first of the three posthumous piano pieces (Impromptus) D 946 by Franz Schubert

Posted on July 22, 2013 by Wolf-Dieter Seiffert

Schubert did not live to see the publication of his … Continue reading →

Posted in Andreas Staier, autograph, Brahms, Johannes, first edition, Impromptus D 946 (Schubert), Monday Postings, piano solo, Schubert, Franz, Sviatoslav Richter | Tagged autograph, Brahms, deletion, piano, revision, Schubert, versions | 15 Comments

Setting, version, arrangement – how far may Urtext go?

Posted on October 30, 2012 by Dominik Rahmer

It is part and parcel of the idea of a … Continue reading →

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged Bach, Brahms, Fauré, instrumentation, Saint-Saëns, Schubert, Schumann, versions | 2 Comments

Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)

Posted on May 28, 2012 by Wolf-Dieter Seiffert

Tabea Zimmermann, the fabulous violist, writes:

Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz | Tagged accent, Arpeggione, Schubert, syncopated | Leave a comment