Search
Subscribe2
-
Recent Posts
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Author Archives: Dominik Rahmer
Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
‘Free, but lonely’ – an extraordinary sonata and its new edition
Our new Urtext edition HN 1572 introduced in today’s blog … Continue reading
No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
Perhaps – despite the anniversary year – I’m rather overdoing … Continue reading
Posted in Monday Postings, piano + orchestra, piano solo, Rachmaninoff, Sergei, variant reading
Tagged accidentals, Rachmaninoff
Leave a comment
Happy birthday, Sergei! A fresh look at Rachmaninoff’s Préludes for his 150th birthday
In the Henle blog we have already published several posts … Continue reading
Posted in Monday Postings, piano solo, Rachmaninoff, Sergei, variant reading
Tagged accidentals, Préludes, Rachmaninoff
7 Comments
From the First to the Second Vienna School: 20th-century string quartets in the Henle catalogue
Henle is dedicating 2022 to a specific genre: under the … Continue reading
A concerto for a “trombone god” – finally, Ferdinand David’s Concertino op. 4 in Henle Urtext
The trombone is an instrument with a venerable though also … Continue reading
Posted in David, Ferdinand, Monday Postings, trombone + orchestra
Tagged Concertino op. 4, trombone
Leave a comment
Dvořák’s “Gran Partita”? On the presumed model of his Wind Serenade in d minor op. 44
In my last blog post I already reported on our … Continue reading
“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44
Even though recently the focus of attention owing to their … Continue reading
‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81
The piano quintet is, so to speak, in the “super … Continue reading