Category Archives: violin + orchestra

The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218

Posted on October 14, 2024 by Wolf-Dieter Seiffert

As Urtext editors, we could sometimes despair: we’re offering the … Continue reading →

Posted in arrangement, articulation, autograph, dynamics, first edition, Monday Postings, Mozart, Wolfgang Amadeus, Urtext, variant reading, violin + orchestra | Tagged , , , , , , , , , | Leave a comment

An annoying mini-error in Mozart’s Violin Concerto K. 219

Posted on October 17, 2022 by Wolf-Dieter Seiffert

Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra | Tagged , , | 4 Comments

Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”

Posted on March 18, 2019 by Peter Jost

To this day, the success of a new stage work … Continue reading →

Posted in Augustin Hadelich, Bizet, Georges, Carmen Fantasy (Sarasate), Ingolf Turban, Monday Postings, piano + violin, Saraste, Pablo de, violin + orchestra | Tagged , , | 3 Comments

‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions

Posted on September 4, 2017 by Annette Oppermann

Are you also one of those manuscript hunters on the … Continue reading →

Posted in articulation, autograph, Brahms, Johannes, Monday Postings, Urtext, violin + orchestra, Violin Concerto (Brahms) | Tagged , , , | 4 Comments

Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi

Posted on March 7, 2016 by Peter Jost

Among the just about one hundred compositions that the violin … Continue reading →

Posted in 5. Violin Concerto in a minor op. 37 (Vieuxtemps), autograph, Monday Postings, piano + violin, sketches, Urtext, Vieuxtemps, Henry, violin + orchestra, Ysaÿe, Eugène | Tagged , | Leave a comment