Search
Subscribe2
-
Recent Posts
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Category Archives: violin + orchestra
The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Posted in arrangement, articulation, autograph, dynamics, first edition, Monday Postings, Mozart, Wolfgang Amadeus, Urtext, variant reading, violin + orchestra
Tagged arrangement, articulation, autograph, dynamics, first edition, Mozart, Oistrakh, urtext, variant reading, Violin Concerto
Leave a comment
An annoying mini-error in Mozart’s Violin Concerto K. 219
Recently, David Perry, a Canadian violinist, criticised what he considered … Continue reading
Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, revision, violin + orchestra
Tagged Mozart, revision, Violin Concerto
4 Comments
Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading
‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions
Are you also one of those manuscript hunters on the … Continue reading
Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi
Among the just about one hundred compositions that the violin … Continue reading