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Recent Posts
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
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Category Archives: Saraste, Pablo de
Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading
Viva la música española – Spanish music in Henle Urtext Editions
Emerging in the 19th century in nearly all of Europe … Continue reading
Filched Melodies – Sarasate’s ‘Zigeunerweisen’ (Gypsy Airs) under suspicion of plagiarism
The use of folk-music elements in art music has, as … Continue reading
Posted in genesis, Gypsy Airs op. 20 (Saraste), Monday Postings, piano + violin, Saraste, Pablo de
Tagged melody, plagiarism, Sarasate
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