Category Archives: Monday Postings

Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto

Posted on September 5, 2016 by Peter Jost

As editors we are occasionally confronted with questions that at … Continue reading →

Posted in autograph, measure numbering, Monday Postings, piano + orchestra, Piano Concerto op. 22 (Saint-Saëns), Saint-Saëns, Camille | Tagged , , , | Leave a comment

Summer break

Posted on August 8, 2016 by publisher

Even our composers are known to have taken time off … Continue reading →

Posted in Monday Postings | Tagged , | Leave a comment

Anton Webern: Now also “in blue”!

Posted on July 25, 2016 by Norbert Müllemann

We are always welcoming new composers to our Henle catalogue. … Continue reading →

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment

France sets the tone – new Urtext editions in the “blue jersey”

Posted on July 11, 2016 by Dominik Rahmer

It isn’t only with the European Football Championship 2016 that … Continue reading →

Posted in articulation, Chausson, Ernest, Fauré, Gabriel, horn, Monday Postings, Morceau de Concert op. 94 (Saint-Saëns), piano + horn, Ravel, Maurice, Saint-Saëns, Camille, variant reading | Tagged , , , , | Leave a comment

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

Posted on June 27, 2016 by Annette Oppermann

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading →

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?

Posted on June 13, 2016 by Wolf-Dieter Seiffert

Today, a brief but we hope all the more valuable … Continue reading →

Posted in first edition, Monday Postings, Reger, Max, Three Suites op. 131c for Violoncello solo (Reger), Urtext, violoncello | 2 Comments

A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?

Posted on May 30, 2016 by Peter Jost

Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading →

Posted in autograph, first edition, Monday Postings, notation, piano + violoncello, pitch range, Saint-Saëns, Camille, Sonata for Violoncello and Piano no. 2 in F major op. 123 (Saint-Saëns), variant reading, versions | Tagged | 1 Comment

“… more or less at the most extreme limit of what can be achieved on the piano”: Busoni arranges Bach

Posted on May 16, 2016 by Norbert Müllemann

The second edition naming the two composers, Bach · Busoni, … Continue reading →

Posted in Bach, Johann Sebastian, Busoni, Ferruccio, Chorale Preludes (Johann Sebastian Bach), Monday Postings, piano solo, transcription, variant reading, Vladimir Horowitz | Tagged | 2 Comments

The Henle Library app. Behind the scenes – part 2.

Posted on May 2, 2016 by Norbert Gertsch

In part 1 of this little “Behind the scenes” blog, … Continue reading →

Posted in Android, App, Digital, Henle Library, iOS, Monday Postings, Tablet | Leave a comment

A peek through the keyhole – Bartók’s “Allegro barbaro” as forerunner of the complete edition

Posted on April 18, 2016 by Annette Oppermann

With Béla Bartók, we have added a new composer to … Continue reading →

Posted in Allegro barbaro BB 63 (Bartók), autograph, Bartók, Béla, Composers, Monday Postings, piano solo, variant reading | Tagged | Leave a comment