Search
Subscribe2
-
Recent Posts
- Christmas Blog Post
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak dynamics Fauré fingering first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Category Archives: Double Bass Concerto (Dittersdorf)
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
Leave a comment
High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Hoffmeister
1 Comment