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- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
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Category Archives: Hoffmeister, Franz Anton
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Hoffmeister
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Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.
Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading
Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister)
Tagged concerto, Hoffmeister, variants, viola
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