Search
Subscribe2
-
Recent Posts
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
- Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Tags
accidentals App arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré first edition Haydn Hoffmeister horn instrumentation interview Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet Telemann urtext variants variations versions viola Violin Sonata
Category Archives: Piano Sonata op. 106 (Beethoven)
Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas
It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading
Is it OK to add them? – The “missing” low notes in Beethoven’s piano sonatas
Here’s a topic that pianists have been discussing since the … Continue reading
Posted in autograph, Beethoven, Ludwig van, first edition, letter, Monday Postings, Murray Perahia, piano solo, Piano Sonata op. 10 nr. 3 (Beethoven), Piano Sonata op. 101 (Beethoven), Piano Sonata op. 106 (Beethoven), Piano Sonata op. 109 (Beethoven), Piano Sonata op. 110 (Beethoven), Piano Sonata op. 111 (Beethoven), Piano Sonata op. 14 nr. 1 (Beethoven), Piano Sonata op. 2 nr. 3 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), pitch range
Tagged Beethoven, Murray Perahia, piano sonata, Sonata
21 Comments