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Tag Archives: facsimile

Why facsimiles, actually?

Posted on December 9, 2013 by Annette Oppermann

The blue Urtext editions certainly amount to the lion’s share … Continue reading →

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann | Leave a comment

The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition

Posted on April 2, 2012 by Annette Oppermann

It is probably well enough known that in the G. … Continue reading →

Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches | Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch | Leave a comment

How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457

Posted on March 5, 2012 by Wolf-Dieter Seiffert

Very vividly I recall the Mozart sensation of the year … Continue reading →

Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo, revision, Urtext, variant reading | Tagged facsimile, Mozart, piano sonata, variants | 4 Comments
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