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Recent Posts
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Category Archives: Composers
A wonderful little devilry to start with
When you’re new to an enterprise, it’s very agreeable when … Continue reading
‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
Which compositions are associated with Gabriel Fauré? For certain, the Requiem and … Continue reading
Posted in Fauré, Gabriel, harmonics, Monday Postings, rhythm
Tagged chamber music, Fauré
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The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
As Urtext editors, we could sometimes despair: we’re offering the … Continue reading
Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
For me, this Arnold Schönberg quotation expresses the composer’s attitude … Continue reading
Posted in Monday Postings, notation, piano solo, Schoenberg, Arnold, Urtext
Tagged personal copy, piano solo, Schönberg, urtext
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Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
On Mozart’s ‘second naïveté’ (Alfred Einstein)
I can’t recall when I first read Alfred Einstein’s Mozart … Continue reading
Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
Arnold Schönberg’s 150th birthday is duly being celebrated by Henle: … Continue reading
Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
The start of 2024 is a special moment for the … Continue reading
Posted in autograph, Elgar, Edward, first edition, Monday Postings, notation, string orchestra, Urtext, variant reading
Tagged autograph, Elgar, first edion, notation, string orchestra, urtext, variant reading
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Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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Christmas Blog Post
Unlike Johann Sebastian Bach, whose Christmas Oratorio and numerous Advent … Continue reading