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- “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
- New year, new luck: Welcome Sebastian Lee!
- Christmas Blog
- Mozart’s last piano concerto – re-encountering a classic
- Arcis meets Alexander – Glazunov’s saxophone quartet finally in a reliable Urtext edition
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Author Archives: Annette Oppermann
Totally, seriously – clearing it out is part of it!
Any of you who not only had a hearty laugh … Continue reading
Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max
Tagged Reger, urtext
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What’s the shelf life of Urtext? Revising at Henle publishers
When you look carefully at our recent publications you’ll also … Continue reading
Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext
Tagged Beethoven, Brahms, Chopin, Mozart, revision, Schumann
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“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff
You know the Lorelei? You know that from the high … Continue reading
The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition
It is probably well enough known that in the G. … Continue reading
Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches
Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch
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So, how much bass do you want? Beethoven’s Sextet Op. 81b
Wouldn’t you wonder, too, if you saw a sextet on … Continue reading
Beethoven, Für Elise WoO 59 – Do you strike the right note?
d or e – that is the question … when … Continue reading
How much verbal text can music tolerate?
A serious scholarly book publication can be recognized by the … Continue reading →