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Recent Posts
- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Author Archives: Dominik Rahmer
New editions for the clarinet – Brahms and Gade
The clarinet was again featured in our recent editions of … Continue reading
Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet
Tagged Brahms, clarinet, Gade
6 Comments
B(e) sharp – what would you play in Mozart’s piano variations K. 265?
Mozart over and over again: In the last blog two … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo
Tagged accidentals, Mozart, piano variations, sharp
2 Comments
“At the Piano” – lends colour to the Henle catalogue!
Even the visual design is a little revolution for Henle: … Continue reading
Posted in Monday Postings
Tagged At the Piano, Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Haydn, Liszt, Mendelssohn, Mozart, piano, Schubert, Schumann
4 Comments
Urtext from A to Z! What you’ll want to know about our new edition of Alexander Zemlinsky’s Clarinet Trio op. 3
With our freshly released Urtext edition of the stunning “Brahmsian” … Continue reading
At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo
Tchaikovsky and the violin – surely everyone first thinks here … Continue reading
Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext
Tagged Tschaikowsky, Violine
1 Comment
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
The “parallel passage” – handle with care…
If the ideal goal of a critical Urtext edition may … Continue reading
Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading
Tagged Grieg, Peer Gynt suite, variants
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“Smfz” – On some unconventional dynamic markings in our Urtext editions
Dynamics are in a way the salt in the musical … Continue reading
Posted in Monday Postings
Tagged Berg, Brahms, Carl Nielsen, Crusell, Dvorak, dynamics, Rachmaninoff, Zemlinsky
1 Comment
Tristan at Troldhaugen – interesting finds in Grieg’s “Lyric Pieces”
Among the most popular and successful of Edvard Grieg’s compositions … Continue reading
Posted in autograph, Grieg, Edvard, Lyric Pieces (Grieg), Monday Postings, piano solo, sketches, variant reading
Tagged accidentals, Grieg, piano, variants
5 Comments
The melancholy horn – a short excursion into the monumental realm of Russian music
The repertoire of the G. Henle publishing house is traditionally … Continue reading
Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext
Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola
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