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Recent Posts
- Scott Joplin, the “King of Ragtime Writers,” now in Henle Urtext. Interview with Joshua Rifkin
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
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Author Archives: Dominik Rahmer
The “parallel passage” – handle with care…
If the ideal goal of a critical Urtext edition may … Continue reading
Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading
Tagged Grieg, Peer Gynt suite, variants
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“Smfz” – On some unconventional dynamic markings in our Urtext editions
Dynamics are in a way the salt in the musical … Continue reading
Posted in Monday Postings
Tagged Berg, Brahms, Carl Nielsen, Crusell, Dvorak, dynamics, Rachmaninoff, Zemlinsky
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Tristan at Troldhaugen – interesting finds in Grieg’s “Lyric Pieces”
Among the most popular and successful of Edvard Grieg’s compositions … Continue reading
Posted in autograph, Grieg, Edvard, Lyric Pieces (Grieg), Monday Postings, piano solo, sketches, variant reading
Tagged accidentals, Grieg, piano, variants
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The melancholy horn – a short excursion into the monumental realm of Russian music
The repertoire of the G. Henle publishing house is traditionally … Continue reading
Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext
Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola
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Spohr and Crusell join the club – new Urtext editions for clarinet
Musicians have long known that not only pianists and string … Continue reading
Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”
Looking at the topics of the by now more than … Continue reading
‘Servant of two masters’ – when the editor is caught between two composers
The basic idea behind an Urtext edition is well known; … Continue reading
A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass
The last blog posting on 6 January has already let … Continue reading
“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86
For pianists and string players, especially, the name Henle stands … Continue reading
“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner
Some time ago we had previously devoted a blog post … Continue reading