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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Category Archives: Fauré, Gabriel
‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
Which compositions are associated with Gabriel Fauré? For certain, the Requiem and … Continue reading
Posted in Fauré, Gabriel, harmonics, Monday Postings, rhythm
Tagged chamber music, Fauré
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Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
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Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109
There is always a risk in producing an engraved plate … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
Urtext and Urcontext
In our blog we have certainly already discussed the Urtext … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext
Tagged Fauré, Justinus Kerner, Schumann, songs, urtext
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A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13
Autograph manuscripts of musical works have an aura all their … Continue reading
Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré)
Tagged autograph, Fauré, Violin Sonata
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How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?
Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading
Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin
Tagged Berceuse, Fauré, harmonics, notation, variants
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