Category Archives: Composers

At long last: Bartók’s Concerto for Orchestra is now also in a handy format

Posted on October 28, 2019 by Annette Oppermann

The great Hungarian composer Béla Bartók has finally entered the … Continue reading →

Posted in Bartók, Béla, Concerto for Orchestra (Bartók), Monday Postings | Tagged , | 1 Comment

Quality: especially valuable – the galley proofs in Fauré’s 1st Cello Sonata op. 109

Posted on October 14, 2019 by Peter Jost

There is always a risk in producing an engraved plate … Continue reading →

Posted in Fauré, Gabriel, Monday Postings | Tagged , | 3 Comments

Dont worry, be happy – the first critical Urtext edition of etudes by Jakob Dont

Posted on September 30, 2019 by Dominik Rahmer

Every violinist is most likely acquainted with them from violin … Continue reading →

Posted in Dont, Jakob, Monday Postings, Violin | Tagged | Leave a comment

An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170

Posted on July 22, 2019 by Wolf-Dieter Seiffert

In a few weeks a long-cherished dream of mine will … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , | Leave a comment

Froberger – retrospectively and prospectively

Posted on July 8, 2019 by Norbert Müllemann

How time flies! – this hardly original realisation came to … Continue reading →

Posted in Froberger, Johann Jacob, Monday Postings, piano solo | Tagged , | 2 Comments

What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37

Posted on June 24, 2019 by Peter Jost

Anyone who compares the edition currently on the market of … Continue reading →

Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions | Tagged , | 1 Comment

The other type of sources: Letters about Max Bruch’s “Kol Nidrei”

Posted on June 10, 2019 by Annette Oppermann

An Urtext edition – and not just only from Henle … Continue reading →

Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello | Tagged , | 2 Comments

Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

Posted on May 27, 2019 by Dominik Rahmer

We report as a rule in our blog posts on … Continue reading →

Posted in Fantasy Pieces op. 73 (Schumann), piano + clarinet, Schumann, Robert, variant reading | Tagged , , | 5 Comments

“Wolfgang Amadeus Stadler”, Allegro for piano trio

Posted on April 29, 2019 by Wolf-Dieter Seiffert

  It is extremely rare for us to be able … Continue reading →

Posted in Monday Postings, Mozart, Wolfgang Amadeus, Robert D. Levin | Tagged , | Leave a comment

Schubert on a Bach trip? A call for help regarding the Arpeggione theme

Posted on April 15, 2019 by Norbert Müllemann

The Henle blogging community will, we hope, not be disappointed … Continue reading →

Posted in Arpeggione Sonata (Schubert), Bach, Johann Sebastian, Fugue BWV 904 (Bach), Monday Postings, Schubert, Franz | Tagged , , | 6 Comments