Category Archives: Composers

Debussy in Urtext – Part 4: Autograph corrections in chamber-music works

Posted on July 16, 2018 by Peter Jost

It goes without saying that the focus would be on … Continue reading →

Posted in Debussy, Claude, Monday Postings, variant reading | Tagged , | 1 Comment

More or less – Bartók’s well-regulated markings of his piano works

Posted on July 2, 2018 by Annette Oppermann

To continue my last blog with an overview of our … Continue reading →

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | 1 Comment

The première of Sergei Rachmaninoff’s Second Piano Sonata op. 36

Posted on June 18, 2018 by Dominik Rahmer

Moscow, St. Petersburg, Rostov-on-Don, Saratov, Smolensk, Voronezh – what do … Continue reading →

Posted in 2nd piano sonata op. 36 (Rachmaninoff), Monday Postings, piano solo, Rachmaninoff, Sergei | Tagged , , | 3 Comments

The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne

Posted on June 6, 2018 by Wolf-Dieter Seiffert

What a liberating, even redemptive impact that the unexpected major … Continue reading →

Posted in autograph, Chopin, Frédéric, copy, Monday Postings, piano solo | Tagged | 3 Comments

Debussy in Urtext – Part 3: Debussy’s recordings of his piano music

Posted on May 21, 2018 by Peter Jost

Editors of Urtext editions have added a new medium as … Continue reading →

Posted in Debussy, Claude, Monday Postings, recording | Tagged , | 6 Comments

Confusion about Chopin’s Scherzi – episode 4

Posted on May 7, 2018 by Norbert Müllemann

At the beginning of the year I reported on my … Continue reading →

Posted in Chopin, Frédéric, Monday Postings, Scherzo op. 54, Sources, versions | Tagged , | 1 Comment

La Vega – The fertile plain: Isaac Albeniz’s homage to Granada and the foothills of the Sierra Nevada

Posted on April 23, 2018 by Norbert Gertsch

A few weeks ago my colleague Peter Jost reported here … Continue reading →

Posted in Albéniz, Isaac, Monday Postings | Tagged , , | 4 Comments

What?! Is it already Christmas now? New Bartók titles at Henle

Posted on April 9, 2018 by Annette Oppermann

Of course not, Christmas is out of the question only … Continue reading →

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Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”

Posted on March 26, 2018 by Peter Jost

One of the outstanding quality features of the Henle Editions … Continue reading →

Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext | Tagged , | 1 Comment

“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Posted on February 26, 2018 by Wolf-Dieter Seiffert

Occasionally in the edition business there is an insoluble conflict … Continue reading →

Posted in autograph, first edition, Mendelssohn Bartholdy, Felix, Monday Postings, piano trio, Trio c minor op. 66 (Mendelssohn), Urtext | Tagged , | Leave a comment