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Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: piano + orchestra
Sergei Rachmaninoff’s 3rd piano concerto – extraordinary works involve extraordinary solutions
Probably no other work in recent years has brought us … Continue reading
On Mozart’s ‘second naïveté’ (Alfred Einstein)
I can’t recall when I first read Alfred Einstein’s Mozart … Continue reading
Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concerto, Ravel, urtext
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No end to Rachmaninoff in sight: several annotations to opp. 3 and 16
Perhaps – despite the anniversary year – I’m rather overdoing … Continue reading
Posted in Monday Postings, piano + orchestra, piano solo, Rachmaninoff, Sergei, variant reading
Tagged accidentals, Rachmaninoff
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Bach’s harpsichord concertos and their autograph
If you’re looking for a simple answer to the question … Continue reading
Viva la música española – Spanish music in Henle Urtext Editions
Emerging in the 19th century in nearly all of Europe … Continue reading
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading