Henle Blog
Skip to content
  • Home
  • About this Blog
  • The Authors
  • Questions to the Authors

Wilhelm Kempff

Category Archives: Wilhelm Kempff

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Posted on September 2, 2013 by Norbert Gertsch

Sometimes a conundrum can’t be solved, even when the source … Continue reading →

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged Dacapo, Ossia, Papillons, Schumann | Leave a comment

‘Come sopra’ – clearly ambiguous!

Posted on March 4, 2013 by Norbert Gertsch

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged Beethoven, come sopra, reading, Sonata | Leave a comment
  • Search

  • Subscribe2


     

  • Recent Posts

    • “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
    • New year, new luck: Welcome Sebastian Lee!
    • Christmas Blog
    • Mozart’s last piano concerto – re-encountering a classic
    • Arcis meets Alexander – Glazunov’s saxophone quartet finally in a reliable Urtext edition
  • Tags

    accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak Fauré fingering first edition genesis Haydn horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Sonata
  •          Impressum | Privacy
Henle Blog
Rss-Feed
Proudly powered by WordPress.