Category Archives: autograph

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading

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“…probably the best of Dvořák that I’m acquainted with.” What’s worth knowing about the Wind Serenade in d minor op. 44

Even though recently the focus of attention owing to their … Continue reading

Posted in autograph, Dvořák, Antonín, first edition, Instrumentation, Monday Postings, Wind Serenade op. 44 (Dvořák) | Tagged , , | 2 Comments

‘Finished in Vysoká at a nice little hour’– new finds in Dvořák’s A-major piano quintet op. 81

The piano quintet is, so to speak, in the “super … Continue reading

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“Bozen this pigsty”. Why there’s no “Bozen string quartet” by Mozart.

When for the third and last time at the end … Continue reading

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An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170

In a few weeks a long-cherished dream of mine will … Continue reading

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A tear for or from Rossini?

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading

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The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne

What a liberating, even redemptive impact that the unexpected major … Continue reading

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“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Occasionally in the edition business there is an insoluble conflict … Continue reading

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Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Editing a Beethoven work solely on the basis of a … Continue reading

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New editions for the clarinet – Brahms and Gade

The clarinet was again featured in our recent editions of … Continue reading

Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet | Tagged , , | 6 Comments