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- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
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Category Archives: autograph
B(e) sharp – what would you play in Mozart’s piano variations K. 265?
Mozart over and over again: In the last blog two … Continue reading
Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo
Tagged accidentals, Mozart, piano variations, sharp
2 Comments
Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas
It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading
Johann Jacob Froberger on his 400th birthday
Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading
Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext
Tagged Froberger, Mensurstrich, modern notation
1 Comment
Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
7 Comments
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
Anton Webern: Now also “in blue”!
We are always welcoming new composers to our Henle catalogue. … Continue reading
A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?
Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading
Confusion about ties in Chopin’s Scherzo in b minor
That Chopin variants can be exasperating to an editor – … Continue reading