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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Category Archives: copy
Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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“Latest news about Mozart’s piano sonata in A major, K. 331”
“All good things come in threes” – this phrase came … Continue reading
Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext
Tagged K. 331
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Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
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The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne
What a liberating, even redemptive impact that the unexpected major … Continue reading
Posted in autograph, Chopin, Frédéric, copy, Monday Postings, piano solo
Tagged Chopin; Nocturne in c sharp minor
3 Comments
Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview
Editing a Beethoven work solely on the basis of a … Continue reading
Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext
Tagged Beethoven, Piano Sonatas, sources
1 Comment
Small error, large impact! About a repeat sign wandering around “In the Mists”
Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading
Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext
Tagged In the Mists, Janáček, repeat sign
2 Comments
Deluxe for the continuo group – Part II: Telemann
It was nearly three years ago, on 17 February 2014, … Continue reading
Posted in copy, first edition, harmonics, Telemann, Georg Philipp, variant reading
Tagged Continuo, Telemann
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Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
7 Comments
All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal
With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading
Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist
Tagged articulation variants, Double bass, octave registers, Viennese tuning
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What’s new with Liszt’s b-minor sonata
With barely concealed exasperation Clara Schumann writes on 25 … Continue reading