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Category Archives: Works
How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?
Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading
Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin
Tagged Berceuse, Fauré, harmonics, notation, variants
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So, how much bass do you want? Beethoven’s Sextet Op. 81b
Wouldn’t you wonder, too, if you saw a sextet on … Continue reading
“La dernière pensée musicale de Chopin” – a Sham?
Mystery swirls around Chopin’s Mazurka in f minor, op. post. … Continue reading
Posted in Chopin, Frédéric, Mazurka op. post. 68 nr. 4 (Chopin), Monday Postings, piano solo, sketches, versions
Tagged Chopin, Fontana, Franchomme, Mazurka, variants, versions
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Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.
Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading
Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister)
Tagged concerto, Hoffmeister, variants, viola
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Missing bass octave in Debussy’s Prélude “Ce qu’a vu le vent d’ouest”?
Whether the Pope is infallible is anybody’s guess, but composers … Continue reading
Posted in autograph, Debussy, Claude, first edition, Monday Postings, piano solo, Préludes (Debussy), reprint, variant reading
Tagged Debussy, Préludes, variants
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How does Chopin’s Second Ballade end?
Many pianists are familiar with the problem that there are … Continue reading
Posted in autograph, Ballades (Chopin), Chopin, Frédéric, first edition, Monday Postings, piano solo, versions
Tagged Ballade, Chopin, versions
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Beethoven, Für Elise WoO 59 – Do you strike the right note?
d or e – that is the question … when … Continue reading