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- A wonderful little devilry to start with
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
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Tag Archives: Saint-Saëns
Camille Saint-Saëns – a portrait for the 100th anniversary of his death
Whereas in 2020 the music world’s focus was on Beethoven’s … Continue reading
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
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Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading
France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
Christmas Blog
Dear Reader, we most warmly thank you for your interest … Continue reading
Posted in Monday Postings, Saint-Saëns, Camille
Tagged Oratorio de Noël, Saint-Saëns
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The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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Setting, version, arrangement – how far may Urtext go?
It is part and parcel of the idea of a … Continue reading