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- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
- Once again, a tight squeeze – the joy and sorrow of the Urtext cover
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Author Archives: Annette Oppermann
Once again, a tight squeeze – the joy and sorrow of the Urtext cover
If you quickly want to describe a Henle edition, one … Continue reading
Posted in G. Henle Publishers, Monday Postings, Urtext
Tagged Cover, G. Henle Publishers history, Layout
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Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
Arnold Schönberg’s 150th birthday is duly being celebrated by Henle: … Continue reading
‘Every year again’ as a new chance
Not annually like the Christ Child, but every few years … Continue reading
Posted in Monday Postings, Schubert, Franz, string quintett, variant reading
Tagged Schubert, string quintett, variant reading
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Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext
Henle catalogue readers in the know are already aware that … Continue reading
Posted in copy, double bass, Monday Postings, new source, orchestra, recording, Urtext
Tagged Double bass concerto, interview, Koussevitzky, Tobias Glöckler
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If that’s not reason enough to celebrate: 300 years of WTC I!
2022 seems to be particularly rich in musical anniversaries: Even … Continue reading
Four parts, many questions: on the editing of string quartets
Well-disposed visitors to our various digital platforms already know that … Continue reading
Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104
Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading
Posted in autograph, copy, Dvořák, Antonín, genesis, Monday Postings
Tagged Cello Concerto op. 104
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The agony of choice – lieder by Richard Strauss
Incredible, but true: unannounced so far in this blog is … Continue reading