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- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
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Category Archives: engraver’s copy
Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
Those of us no longer quite so young will be … Continue reading
Posted in autograph, engraver’s copy, Mayer, Emilie, Monday Postings, piano + violoncello
Tagged Cello Sonata, Mayer
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“My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
The Weimar years as of 1848 marked a profound turning … Continue reading
New year, new luck: Welcome Sebastian Lee!
Do you love Lee? This question will likely be answered … Continue reading
Posted in engraver’s copy, first edition, Lee, Sebastian, Monday Postings, new source, reprint, revision, versions, violoncello
Tagged Études, Lee, violoncello
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If we hadn’t had the chance… the rediscovery of a new Prokofiev source
Fans of so-called ‘true crime’ formats, reporting, that is, about … Continue reading
Posted in engraver’s copy, Monday Postings, new source, piano + violin, Prokofiev, Sergei
Tagged arrangement, engraver's copy, version
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