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- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Author Archives: Peter Jost
Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”
Needless to say, every editor of an Urtext edition wishes … Continue reading
Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext
Tagged Debussy, Masques, sources
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Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
It goes without saying that the focus would be on … Continue reading
Posted in Debussy, Claude, Monday Postings, variant reading
Tagged Debussy, variant reading
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Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading
Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading
Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext
Tagged Debussy, urtext
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Debussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading
Viva la música española – Spanish music in Henle Urtext Editions
Emerging in the 19th century in nearly all of Europe … Continue reading
“The future lion is already showing its paws” – The revision of Beethoven’s piano variations, volume 1
G. Henle publishing house is well known for putting its … Continue reading
“I would like to see this piece published soon” – The first edition of Liszt’s arrangement of Wagner’s overture to “Tannhäuser”
The 19th century is rich in artist friendships. That between … Continue reading
Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
As editors we are occasionally confronted with questions that at … Continue reading