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Recent Posts
- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Author Archives: Peter Jost
A Bohemian in America: Is Dvořák’s String Quartet in F Major wrongly accented?
Antonín Dvořák, director of the National Conservatory of Music in … Continue reading
“Please don’t play it as it’s written in the music!” – Urtext and playability
A music-lesson scene that we all recall most reluctantly: A … Continue reading
Posted in Mahler, Gustav, Monday Postings, notation, Piano quartet (Mahler), Urtext
Tagged Mahler, notation, piano quartet
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“You can count on me” – Debussy’s arrangement of “Minstrels” for violin and piano
Arrangements have on occasion already come up for discussion in … Continue reading
Composing made easy? On Erik Satie’s ‘Nocturnes’
It was not without good reason that the label ‘outsider’ … Continue reading
Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading
Tagged harmony, Nocturnes, Orledge, Satie
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Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet
Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
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D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
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‘Pour Piano et Violon ou Violoncelle’ – Is there a cello sonata by César Franck?
In connection with the general blog post by Dominik Rahmer … Continue reading
Filched Melodies – Sarasate’s ‘Zigeunerweisen’ (Gypsy Airs) under suspicion of plagiarism
The use of folk-music elements in art music has, as … Continue reading
Posted in genesis, Gypsy Airs op. 20 (Saraste), Monday Postings, piano + violin, Saraste, Pablo de
Tagged melody, plagiarism, Sarasate
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