Category Archives: Composers

Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”

Posted on March 26, 2018 by Peter Jost

One of the outstanding quality features of the Henle Editions … Continue reading →

Posted in Debussy, Claude, Monday Postings, Nocturne (Debussy), Urtext | Tagged , | 1 Comment

“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Posted on February 26, 2018 by Wolf-Dieter Seiffert

Occasionally in the edition business there is an insoluble conflict … Continue reading →

Posted in autograph, first edition, Mendelssohn Bartholdy, Felix, Monday Postings, piano trio, Trio c minor op. 66 (Mendelssohn), Urtext | Tagged , | Leave a comment

Debussy in Urtext – Part 1: Henle Editions from an experienced duo

Posted on January 29, 2018 by Peter Jost

2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading →

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Confusion surrounding Chopin’s Scherzi – episodes 2 & 3

Posted on January 15, 2018 by Norbert Müllemann

In my blog post of 21 March 2016, I lamented … Continue reading →

Posted in Chopin, Frédéric, Monday Postings, piano solo, Scherzo op. 31 (Chopin), Scherzo op. 39 (Chopin), Sources | Tagged , , | 1 Comment

Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Posted on December 11, 2017 by Norbert Gertsch

Editing a Beethoven work solely on the basis of a … Continue reading →

Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

The many footnotes of Rosamunde

Posted on November 27, 2017 by Annette Oppermann

All good things come in threes – this is also … Continue reading →

Posted in dynamics, first edition, Monday Postings, Rosamunde quartet D 804 (Schubert), Schubert, Franz, string quartet | Tagged , , | Leave a comment

New editions for the clarinet – Brahms and Gade

Posted on November 13, 2017 by Dominik Rahmer

The clarinet was again featured in our recent editions of … Continue reading →

Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet | Tagged , , | 6 Comments

“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio from the String Quartet K. 465/iii

Posted on October 30, 2017 by Wolf-Dieter Seiffert

When the composer’s autograph manuscript of a music work is … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K 465, Urtext | Tagged | 2 Comments

Viva la música española – Spanish music in Henle Urtext Editions

Posted on October 16, 2017 by Peter Jost

Emerging in the 19th century in nearly all of Europe … Continue reading →

Posted in Albéniz, Isaac, Falla, Manuel de, Monday Postings, Noches en los jardines de España, piano + orchestra, Saraste, Pablo de, Spanische Tänze (Sarasate), transcription, Urtext | Tagged , | Leave a comment

“A Little Spring Melody”– finally in Urtext!

Posted on October 2, 2017 by Norbert Müllemann

Many a reader will be thinking, I must be mistaken … Continue reading →

Posted in arrangement, Dvořák, Antonín, G. Henle Publishers, Humoresques op. 101 (Dvořák), Monday Postings, piano solo, Urtext | Leave a comment