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- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
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Category Archives: Composers
The accent question in Schubert: An old theme with new variations
Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading
Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz
Tagged accent, An die ferne Geliebte, An die Geliebte, Beethoven, D 803, decrescendo, HN 562, HN 9562, Octet, Op. 98, Schubert, WoO 140
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‘Servant of two masters’ – when the editor is caught between two composers
The basic idea behind an Urtext edition is well known; … Continue reading
Listeners are also only human
Observations on the necessity of body language in piano playing … Continue reading
Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge
Tagged Beethoven, body language, Hungarian Rhapsody, interpretation, Liszt, piano, piano player, piano sonata
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The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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Deluxe for the continuo group
What music do continuo players play from? This question might … Continue reading
Posted in Bach, Johann Sebastian, Monday Postings, notation, Urtext
Tagged Bach, basso continuo, HN 554, urtext
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D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
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A wrong ‘D’ goes out into the world – Rachmaninoff’s Prélude in c sharp minor under the magnifying glass
The last blog posting on 6 January has already let … Continue reading
Corelli, La Folia and Rachmaninoff’s Variations, Op. 42
In May and June 1931 Sergei Rachmaninoff composed his famous … Continue reading
Christmas Blog
Dear Reader, we most warmly thank you today for your … Continue reading
Posted in Bach, Johann Sebastian, chorus + orchestra, General, Nikolaus Harnoncourt
Tagged Bach, Christmas, Christmas Oratorio
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Why facsimiles, actually?
The blue Urtext editions certainly amount to the lion’s share … Continue reading
Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert)
Tagged autograph, Beethoven, Brahms, Chopin, Debussy, facsimile, Liszt, Mozart, Schubert, Schumann
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