Search
Subscribe2
-
Recent Posts
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
- “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak facsimile Fauré fingering first edition genesis Haydn Hoffmeister horn Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann string quartet urtext variant reading variants variations versions viola violin Violin Sonata
Category Archives: Yehudi Menuhin
Editions also have their histories. The revision of César Franck’s violin sonata
The question of why from time to time editions in … Continue reading →
Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin
|
Tagged Articualtion, César Franck, New Source
|
Leave a comment
‘It is G! Bravo, and a thousand thanks.’ Günter Henle’s guestbook (and a wrong note in Beethoven)
The violinist Yehudi Menuhin was without question amongst Günter Henle’s … Continue reading →