Category Archives: Instrumentation

Ten at a stroke – Scriabin’s piano sonatas in one volume

Posted on January 21, 2019 by Norbert Müllemann

Many a Henle fan familiar with our catalog will know … Continue reading →

Posted in G. Henle Publishers, Monday Postings, piano solo, Piano Sonatas (Scriabin), Scriabin, Alexander | Tagged | Leave a comment

An unaccountable (?) fermata notation in Mozart’s string quartet K. 428

Posted on January 7, 2019 by Wolf-Dieter Seiffert

That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading →

Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , | 8 Comments

40 or 42? Rodolphe Kreutzer’s Etudes as Urtext edition

Posted on December 10, 2018 by Norbert Gertsch

There could not be a bigger difference: When you are … Continue reading →

Posted in 40 Etudes ou Caprices (Kreutzer), Kreutzer, Rodolphe, Monday Postings, Urtext, Violin | Tagged , | 8 Comments

Debussy in Urtext – Part 6: Interview with Pascal Rogé

Posted on November 26, 2018 by Peter Jost

In the final part of our little series we want … Continue reading →

Posted in Debussy, Claude, Pascal Rogé, piano solo | Tagged , | Leave a comment

A tear for or from Rossini?

Posted on November 12, 2018 by Annette Oppermann

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading →

Posted in autograph, Instrumentation, Monday Postings, piano + double bass, Rossini, Gioacchino, Tobias Glöckler, Une larme (Rossini) | Tagged , , | Leave a comment

Rachmaninoff revises Rachmaninoff. On the two versions of the Second Piano Sonata op. 36

Posted on October 29, 2018 by Dominik Rahmer

In my last blog posting I went into the genesis … Continue reading →

Posted in 2nd piano sonata op. 36 (Rachmaninoff), Monday Postings, piano solo, Rachmaninoff, Sergei, revision, variant reading, versions | Tagged , , | 3 Comments

From sketch to first edition: the (almost) seamless source documentation of Edward Elgar’s violin sonata

Posted on October 15, 2018 by Norbert Müllemann

Many Urtext editions and their sources cross the desk of … Continue reading →

Posted in Elgar, Edward, genesis, Monday Postings, piano + violin, Sources, Violin Sonata op. 82 (Elgar) | Tagged , | 2 Comments

Debussy in Urtext – Part 5: Corrections in the galley proofs for the piano piece “Masques”

Posted on September 17, 2018 by Peter Jost

Needless to say, every editor of an Urtext edition wishes … Continue reading →

Posted in Debussy, Claude, Maques (Debussy), Monday Postings, piano solo, Sources, Urtext | Tagged , , | Leave a comment

More or less – Bartók’s well-regulated markings of his piano works

Posted on July 2, 2018 by Annette Oppermann

To continue my last blog with an overview of our … Continue reading →

Posted in Bartók, Béla, Dénes Várjon, Fingering, Monday Postings, piano solo | Tagged , , | 1 Comment

The première of Sergei Rachmaninoff’s Second Piano Sonata op. 36

Posted on June 18, 2018 by Dominik Rahmer

Moscow, St. Petersburg, Rostov-on-Don, Saratov, Smolensk, Voronezh – what do … Continue reading →

Posted in 2nd piano sonata op. 36 (Rachmaninoff), Monday Postings, piano solo, Rachmaninoff, Sergei | Tagged , , | 3 Comments