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Recent Posts
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
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Category Archives: Instrumentation
Dont worry, be happy – the first critical Urtext edition of etudes by Jakob Dont
Every violinist is most likely acquainted with them from violin … Continue reading
An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170
In a few weeks a long-cherished dream of mine will … Continue reading
Froberger – retrospectively and prospectively
How time flies! – this hardly original realisation came to … Continue reading
Posted in Froberger, Johann Jacob, Monday Postings, piano solo
Tagged Froberger, variations
2 Comments
What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37
Anyone who compares the edition currently on the market of … Continue reading
Posted in Monday Postings, op. 37 (Saint-Saëns), piano + flute, Romance, Saint-Saëns, Camille, versions
Tagged Romance op. 37, Saint-Saëns
1 Comment
The other type of sources: Letters about Max Bruch’s “Kol Nidrei”
An Urtext edition – and not just only from Henle … Continue reading
Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello
Tagged Bruch, Kol Nidrei
2 Comments
Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73
We report as a rule in our blog posts on … Continue reading
Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”
To this day, the success of a new stage work … Continue reading
Version alert! Or: Did Brahms ever revise his Horn Trio?
A few days ago a customer enquiry momentarily gave me … Continue reading
Posted in Brahms, Johannes, horn, Monday Postings, revision, versions
Tagged Brahms, horn, versions
1 Comment
Ten at a stroke – Scriabin’s piano sonatas in one volume
Many a Henle fan familiar with our catalog will know … Continue reading
An unaccountable (?) fermata notation in Mozart’s string quartet K. 428
That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading
Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet
Tagged KV 428, Mozart
8 Comments