Category Archives: piano solo

Anton Webern: Now also “in blue”!

Posted on July 25, 2016 by Norbert Müllemann

We are always welcoming new composers to our Henle catalogue. … Continue reading →

Posted in autograph, G. Henle Publishers, Glenn Gould, Monday Postings, piano solo, Urtext, Variations op. 27 (Webern), Webern, Anton | Tagged , , , | 1 Comment

“… more or less at the most extreme limit of what can be achieved on the piano”: Busoni arranges Bach

Posted on May 16, 2016 by Norbert Müllemann

The second edition naming the two composers, Bach · Busoni, … Continue reading →

Posted in Bach, Johann Sebastian, Busoni, Ferruccio, Chorale Preludes (Johann Sebastian Bach), Monday Postings, piano solo, transcription, variant reading, Vladimir Horowitz | Tagged | 2 Comments

A peek through the keyhole – Bartók’s “Allegro barbaro” as forerunner of the complete edition

Posted on April 18, 2016 by Annette Oppermann

With Béla Bartók, we have added a new composer to … Continue reading →

Posted in Allegro barbaro BB 63 (Bartók), autograph, Bartók, Béla, Composers, Monday Postings, piano solo, variant reading | Tagged | Leave a comment

The Trill of Doom – The pianist András Schiff’s revelatory study of Schubert’s final sonata

Posted on April 4, 2016 by publisher

By guest author Alex Ross[1] “What other work is so … Continue reading →

Posted in András Schiff, articulation, Composers, Monday Postings, piano solo, Piano Sonata B-Flat D 960 (Schubert), Schubert, Franz | Leave a comment

Confusion about ties in Chopin’s Scherzo in b minor

Posted on March 21, 2016 by Norbert Müllemann

That Chopin variants can be exasperating to an editor – … Continue reading →

Posted in articulation, Auguste Franchomme, autograph, Chopin, Frédéric, Composers, Ferdinand Hiller, first edition, letter, Monday Postings, piano solo, Scherzo in b minor op. 20 (Chopin) | 1 Comment

The “parallel passage” – handle with care…

Posted on January 11, 2016 by Dominik Rahmer

If the ideal goal of a critical Urtext edition may … Continue reading →

Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading | Tagged , , | Leave a comment

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

Further new findings on the autograph of Mozart’s Piano Sonata in A major K. 331

Posted on October 26, 2015 by Wolf-Dieter Seiffert

Regular readers of the Henle blog will recollect: My last … Continue reading →

Posted in autograph, General, Monday Postings, Mozart, Wolfgang Amadeus, notation, piano solo, Piano Sonata K. 331 (W.A. Mozart) | Tagged , , | Leave a comment

At what tempo does Ravel’s Pavane “die”?

Posted on August 31, 2015 by publisher

During my assistantship this past year as Henlean, I was … Continue reading →

Posted in first edition, Monday Postings, Pavane (Ravel), piano solo, Ravel, Maurice, tempo | Tagged , , | 1 Comment

Tristan at Troldhaugen – interesting finds in Grieg’s “Lyric Pieces”

Posted on June 22, 2015 by Dominik Rahmer

Among the most popular and successful of Edvard Grieg’s compositions … Continue reading →

Posted in autograph, Grieg, Edvard, Lyric Pieces (Grieg), Monday Postings, piano solo, sketches, variant reading | Tagged , , , | 5 Comments