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Recent Posts
- Scott Joplin, the “King of Ragtime Writers,” now in Henle Urtext. Interview with Joshua Rifkin
- 25 Etudes, but not just finger exercises – Friedrich Burgmüller’s famous opus 100
- Summer Break
- Culminating a great female composer’s career: Emilie Mayer’s Cello Sonata in D major, op. 47 – new in the Henle Urtext
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
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Category Archives: Marc-André Hamelin
At the pinnacle of virtuosity
“Alkan? Lots of notes!” – That’s what you hear when … Continue reading
Posted in Alkan, Charles Valentin, Fingering, Marc-André Hamelin, Monday Postings, piano solo, Vincenzo Maltempo
Tagged Alkan, Etude, fingering, Hamlin, Maltempo, piano music, virtuosity
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What’s new with Liszt’s b-minor sonata
With barely concealed exasperation Clara Schumann writes on 25 … Continue reading
Listeners are also only human
Observations on the necessity of body language in piano playing … Continue reading
Posted in Alfred Brendel, Beethoven, Ludwig van, Hungarian Rhapsody (Liszt), Lang Lang, Liszt, Franz, Marc-André Hamelin, Monday Postings, piano solo, Piano Sonata op. 31 nr. 3 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven), Victor Borge
Tagged Beethoven, body language, Hungarian Rhapsody, interpretation, Liszt, piano, piano player, piano sonata
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