Category Archives: Monday Postings

Spring Cleaning – new setup guidelines at the Henle house

Posted on April 1, 2013 by publisher

You ought to underline today’s date in the calendar in … Continue reading →

Posted in G. Henle Publishers, Monday Postings, notation, Reger, Max, Violin | Tagged , , | 3 Comments

Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?

Posted on March 18, 2013 by Dominik Rahmer

The current Wagner year is also not going unnoticed at … Continue reading →

Posted in first edition, G. Henle Publishers, Isoldens Liebestod from "Tristan und Isolde" (Wagner/Liszt), Liszt, Franz, Monday Postings, piano solo, transcription, Wagner, Richard | Tagged , , , , , | 1 Comment

‘Come sopra’ – clearly ambiguous!

Posted on March 4, 2013 by Norbert Gertsch

The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading →

Posted in autograph, Beethoven, Ludwig van, Claudio Arrau, first edition, Monday Postings, notation, piano solo, Piano Sonata op. 90 (Beethoven), variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Gratis, but not for nothing – the download of the Lalo cello concerto

Posted on February 18, 2013 by publisher

Whilst browsing through the Henle publishers’ catalogue you may occasionally … Continue reading →

Posted in G. Henle Publishers, Heinrich Schiff, Lalo, Édouard, Monday Postings, piano + violoncello, variant reading, Violoncello Concerto (Lalo) | Tagged , , , , , , | 2 Comments

Composers on the waiting list – or: We’d really like to do them, but are (still) not allowed to do so

Posted on February 4, 2013 by Peter Jost

‘Why doesn’t Henle have the famous piano trio by Shostakovich?’ … Continue reading →

Posted in G. Henle Publishers, Monday Postings, Urtext | Tagged , , | Leave a comment

Brahms’s ‘Hungarian Dances’ – new finds in old sources

Posted on January 21, 2013 by Dominik Rahmer

In 2011 the Brahms researcher Michael Struck made a striking … Continue reading →

Posted in articulation, Brahms, Johannes, Hungarian Dances (Brahms), Monday Postings, notation, piano solo | Tagged , , , | Leave a comment

How much verbal text can music tolerate?

Posted on January 7, 2013 by Annette Oppermann

A serious scholarly book publication can be recognized by the … Continue reading →

Posted in G. Henle Publishers, Monday Postings, Urtext | Tagged , , | 1 Comment

‘Silent Night’ revisited

Posted on December 24, 2012 by Norbert Müllemann

A blog entry on 24 December – how could it … Continue reading →

Posted in genesis, Monday Postings, Urtext, versions | Tagged , , | 1 Comment

Gong, tamtam or cymbal crash? – Gershwin’s ‘Concerto in F’ as work in progress

Posted on December 10, 2012 by Norbert Gertsch

You know George Gershwin’s Piano Concerto and the famous place … Continue reading →

Posted in autograph, Gershwin, George, Monday Postings, Piano Concerto in F (Gershwin), sketches, Urtext | Tagged , , , , , , , | 1 Comment

A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13

Posted on November 26, 2012 by Peter Jost

Autograph manuscripts of musical works have an aura all their … Continue reading →

Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré) | Tagged , , | Leave a comment