Search
Subscribe2
-
Recent Posts
- ‘Le Maître des Charmes’ – On the 100th anniversary of Gabriel Fauré’s death
- The elders’ errors tenaciously persist. On the violin solo entry in Mozart’s D-major Violin Concerto, K. 218
- Arnold Schönberg on his 150th birthday – the truth in the music (and in the edition)
- If we hadn’t had the chance… the rediscovery of a new Prokofiev source
- Summer break
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak dynamics Fauré first edition Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variant reading variants variations versions viola Violin Concerto Violin Sonata
Category Archives: copy
Better late than never: Leoš Janáček at Henle publishers
It is always a special moment whenever a new name … Continue reading
On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I
Those in the know among our readers will be aware … Continue reading
Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.
Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading
Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister)
Tagged concerto, Hoffmeister, variants, viola
2 Comments