Category Archives: facsimile

What’s new with Liszt’s b-minor sonata

Posted on November 23, 2015 by Norbert Müllemann

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading →

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

Spohr and Crusell join the club – new Urtext editions for clarinet

Posted on November 24, 2014 by Dominik Rahmer

Musicians have long known that not only pianists and string … Continue reading →

Posted in autograph, clarinet, Clarinet Concerto op. 26 (Spohr), Clarinet Concerto op. 5 (Crusell), Crusell, Bernhard Henrik, facsimile, first edition, G. Henle Publishers, Monday Postings, Spohr, Louis, Urtext | Tagged , , , | Leave a comment

The year of the flute – special new editions in the Henle catalogue

Posted on October 13, 2014 by Norbert Müllemann

For some time past the G. Henle publishing house has … Continue reading →

Posted in Bach, Carl Philipp Emanuel, facsimile, flute solo, G. Henle Publishers, Monday Postings, ornamentation, piano + flute, Telemann, Georg Philipp, Urtext | Tagged , , , , , | Leave a comment

Why facsimiles, actually?

Posted on December 9, 2013 by Annette Oppermann

The blue Urtext editions certainly amount to the lion’s share … Continue reading →

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment